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Record Sleeve
61. Galaxie 500
This Is Our Music
1990
Their swansong after just three immensely creative years contained among the usual atmospheric guitar sounds some songs you could actually hum to.
Record Sleeve
62. Depeche Mode
Violator
1990
Their most consistent work although their best songs like 'Stripped' and 'Behind The Wheel' were featured on previous albums. Syntipop goes rock'n'roll.
Record Sleeve
63. The Velvet Underground
VU
1969
OK, this wasn't actually released in 1969, but it could as well have been. Instead these recordings remained in the vault for nearly two decades. A circumstance which is unthinkable in the modern internet age.
Record Sleeve
64. The Jesus & Mary Chain
Darklands
1987
To change your sound completely after your debut album has been hailed as a classic is a bold move indeed. But here it pays off, resulting in a set of songs bands like Sister of Mercy would kill for.
Record Sleeve
65. This Mortal Coil
Blood
1991
The band responsible for some of the best cover versions of all time (and some of the worst as well). Adjectives like ethereal and translucent probably once were invented to be able to describe this music later.
Record Sleeve
66. Cocteau Twins
Blue Bell Knolls
1988
Clouds of sound floating through the air beautifully. And on top some vocals which have once famously been described as the 'voice of god'. And rightfully so.
Record Sleeve
67. The Smiths
Strangeways Here We Come
1987
Their final album offers the widest range of instrumentation and the most complex arrangements. On the second half they show a glimpse of what they might have been able to accomplish in the future.
Record Sleeve
68. Six By Seven
The Closer You Get
2000
The record Radiohead should have made after 'OK Computer'. How a bunch of no-hopers could come up with something this elaborate and polished is still a mystery.
Record Sleeve
69. Blondie
Parallel Lines
1978
One of the few bands which have obtained mayor success without loosing their artistic integrity. In addition, their singer became a role model for all girl fronted bands following in their wake.
Record Sleeve
70. Primal Scream
XTRMNTR
2000
After a decade of trial and error they returned with this hell of a comeback. It showed all the dance/rock crossover acts of the nineties how this should be properly done.
Record Sleeve
71. Franz Ferdinand
Franz Ferdinand
2004
They blew away the New Rock Revolution and started the second wave of Britpop with this set of songs. Basically Jarvis Cocker fronting Blondie with some German vocals added.
Record Sleeve
72. Suede
Dog Man Star
1994   Review
While already falling apart at the seams they came up with this brooding and atmospheric album. The soundtrack for the Britpop hangover already finished before the party had even started.
Record Sleeve
73. Kristin Hersh
Learn To Sing Like A Star
2007
A perfect example that in some unique cases creativity can subsist over decades. The emotional intensity and impressive songwriting skills displayed here are even superior to the best efforts of her previous band Throwing Muses.
Record Sleeve
74. Leonard Cohen
Songs From A Room
1969
His most accessible and poignant work, containing a set of short and simple structured songs. Obviously a brief period of relief before things got really dark.
Record Sleeve
75. Nico
Chelsea Girl
1968
OK, this may be a watered down version of the VU & Nico album but it's still better than most female singer/songwriters work. The most unique voice in music history struggles with songs provided by a varied mix of musicians including the VU crew of course.
Record Sleeve
76. Soap & Skin
Lovetune For Vacuum
2009
When Mozart lost his first place on the 'most talented piano-playing Austrian child prodigy' list to this girl everybody was a bit surprised. Even the young lady herself looked quite puzzled on the cover.
Record Sleeve
77. Ride
Going Blank Again
1992   Review
Released during the height of the US Grunge invasion, this one got overlooked completely. Yet it makes most of the celebrated Britpop stuff released a few years later look pale and boring in comparison.
Record Sleeve
78. Thin White Rope
The Ruby Sea
1991
A raw voice, a great guitarist and some very fine songwriting. Allegedly this band broke up because they couldn't pay the rent with their earnings. How sad is this ?
Record Sleeve
79. PJ Harvey
White Chalk
2007
A really unexpected piece of work from an artist that although being known for her uncompromising and idiosyncratic method of work was not expected to go so far into a direction so unknown to her.
Record Sleeve
80. New Order
Technique
1989
The usual mix of pop perfection and subtle complexity. Unfortunately this was their last innovative contribution to electronic music, a genre they helped to shape like few others.
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